Nina's Tips for Lectures and Presentations

The ITA Annual Conference (2011)  is approaching. Many have sent the Committee proposals for lectures and presentations, and it seems like the program is going to be pretty full. Goody-goody – I look forward to breaking my head over which lecture to go to!

A few of years ago, I came back from the conference with the distinct feeling that people needed help in preparing their lectures. While this impression was still fresh in my mind, I dashed off a 10-page paper in longhand. And so it sat there for three or four years. I suppose now is as good a time as any (in fact, better than, say, after the upcoming conference) to share my thoughts with you, even though several conferences have taken place since, and I do believe participants have meanwhile honed their skills.

Warning: May contain a few points already mentioned on my blog or in some previous ramblings.

Tips for Lectures & Presentations

Most of us are neither born orators nor natural entertainers/performers. But even those who look and sound adept and facile often seem that way thanks to many hours of rehearsing and practicing their craft. So don't feel bad if you dread getting up there on the podium and talking to a roomful of staring, expectant faces, making them nod, tut-tut or chuckle.

I wouldn't recommend, for example, trying to emulate Irit Linur (at the 2006 conference) with her easy, nonchalant attitude, speaking in a natural, relaxed manner without any notes or PowerPoint.

So what can you do to make your next lecture/presentation a success?

Choosing a subject
  • This may sound obvious, but it bears repeating: Choose a subject close to your heart, something you feel passionately about, really care about, and that you know well. This way, even if you lose your train of thought, you'll be able to ad-lib; and when Q&A time comes, you will feel you're on solid ground.
  • If you've chosen a subject on which you've spoken once (or twice, or thrice) before, try to give it a new spin, look at it from a different angle. Bring it up-to-date with new examples that weren't in existence last time you spoke on the same subject; or adapt it to your new target audience. (Not exactly an option if the same people come to hear you speak. You don't want to bore them to tears.)
  • Is your proposed subject really well-suited to an oral presentation? Be excruciatingly truthful. Some papers are better left as written papers and may be of great merit as research in the relevant field, but are boring as all hell to listen to, and may leave the listener with a feeling of "so what?" Don't inflict such a lecture on an unsuspecting audience. They won't forgive you and will not want to listen to what you have to say at the next conference.

Correct structure of the talk/presentation
  • Do not spend too much of your limited time on an introduction or "historical approach", only to realize belatedly that you have only five minutes left for the rest of your talk. As you write your lecture, consciously limit yourself. For example: 300 words introduction, 300 words summing up, 1400 words for the main body of the lecture. 
  • Write it all out, then time yourself. Read it aloud, not too fast, to anyone willing to listen. The cat, dog of goldfish will do in a pinch, though human beings are usually – not always – more helpful.
  • If you've been allocated 50 minutes, allow a few min for shuffling through your papers, making sure you have the right pair of glasses and that the bottle of mineral water is within easy reach yet securely placed, and will not get knocked over when you reach for the mouse or to adjust the mike. Allow at least 5, preferably 10 min for Q&A. That leaves you around 35 min to talk.
  • So you've timed yourself. The dog seemed impressed whereas the cat either curled up and went to sleep, or walked away disdainfully. Don't get discouraged. Concentrate on the timing: if you're short, go back and elaborate on one or two points; add an example, an appropriate anecdote, or a joke if you think you can pull it off.  If you've overpitched – go back and cut back.
    If you're giving a PowerPoint presentation
    • If you're creating a PPT, take into account that presenting it may take a bit longer than an unillustrated talk, what with pointing to various bits on the screen and fumbling with an unfamiliar keyboard. Ergo, the actual talk should take at the very most 30 min.
    • PPT has a very handy built-in timer; use it when practicing; get used to the sound of your own voice.
    • Change the number of slides and amount of text on each to fit into the allocated time. As with the text of a lecture, so with the presentation: If your slide show comprises 30 slides, use 2-3 for the intro, no more than the same for summing up, and keep the lion's share for the heart of the matter. It's okay if the cat yawns; if your audience yawns, it had better be because your lecture is right after lunch, or because they stayed up dancing half the night.
    • If you're comfortable with PPT and can easily use all its bells and whistles – great, bully for you, but don't overdo it. You don't want to overshadow or drown your message.
    •  If you feel comfortable with the basics only – that's fine, too. Though a little bit of color goes a long way. Try at least to use a different color font to emphasize key words, for instance. Or use a different background color to differentiate between the sections of your talk. E.g.,
               Color 1 – the intro
               Colors 2, 3, 4 – the main sections of the talk
               Color 1 again, or 5 – conclusions and summing up.
    • Don't put too much text on one slide, and keep the font large enough so it can be seen from the back of the hall. Otherwise people will be too busy trying to catch up on the reading and will miss what you're saying.
    • Use short but complete sentences in the PPT, and elaborate on them orally, preferably without referring to notes. If you know your material inside out, this shouldn't be a problem. Or, you can memorize the text that elaborates on each short, spiffy sentence.
    • Find out beforehand whether the PC at the conference will have a regular mouse, or if you'll be expected to use the touchpad. Most of the time, you'll probably be using the arrow keys. But if you'll want to use the pointer, say, and don't get along well with a touch pad, consider bringing your own mouse and asking the technician to attach it. A laser pointer is a very handy thing to have when referring to items up on the screen.

    Whether it's a talk or a talk-plus-presentation
    Make the most of the short time at your disposal by being clear and specific. Don't ramble on, no promotional talk, sales pitch, or highfalutin bla-bla yadda-yadda. Stick to the point, make sure everything you say contributes to your message.

    If you're handing out handouts
    Make sure the text is easy on the eyes. Use a large (at least 12 pt), user-friendly font, with line spacing of 1.5 or 2, wide margins to scribble in, double spaces between paragraphs; in short, what tech writers call "plenty of white space". Use bullets or numbers if appropriate.

    Other stuff

    1. Dress neatly and comfortably. You don’t want a belt or tie that restrict your breathing nor shoes that pinch, nor a strap that keeps slipping off your shoulder.
    2. No, it's not okay to come dressed for a picnic in old jeans and shloompy T-shirt. Unless you're a famous performer and it's part of your image…
    3. Get a haircut, or use hairspray, hair gel, Dapper Dan's hair pomade, bobby pins, a hat, hairband or any other contraption – just don't mess with your hair and don't keep pushing it out of your eyes during the presentation.
    4. Focus on a few friendly faces in the audience. Try to find one in each corner of the hall, plus a couple in the center and in the front row, and talk to them. Your best friend / colleague / mother / son is in the audience? Great! Speak to them, too.
    5. Ever taken part in a school play? An amateur production? Pretend this isn't you on the podium; not the same "you" who came here on a bus or sat at the lunch table next to the guy in the 3rd row. You're an actor, and a damn good one, and you're putting on a show.
    6. Don't begin your talk by apologizing. We don't need to know what you can't or won't do or forgot to do. We know you're only human. But we came to hear what you do have to say. So tell us.
    I promise we'll applaud at the end.

    ---------------------- 
    In a timely, though not surprising, coincidence, my colleague Inga Michaeli, recent former Chair of the ITA, also wrote a post on the same subject, in Hebrew: טיפים להרצאה מוצלחת (Tips for a successful lecture). Read it on Inga's blog.
    ---------------------

    With thanks to all the good writers, speakers and presenters I've learnt from, and to my friend Marion Claire, the Confident Speaker's Coach.

    The case of the 13 books

    Maybe I didn't feel it was urgent to read the Sexy New Finds for Your Lips (November Cosmo, page 80), or the Beauty Cheat Sheet (ibid, p. 82) back when we were in the UK in October because I had a premonition that the cows and sheep of the West Pennine Moors would not be impressed.

    Or maybe I was too enthralled by the boxes of books that had been delivered to our hosts, Jenny and Bob, by Amazon UK via the trusty Royal Mail and their intrepid drivers, aided by Jenny standing outside Rose Cottage and waving to them with a big flag.

    Well, no sooner had we had a nice cuppa tea, than we pounced on those cardboard boxes and padded envelopes, tearing them open and pulling out the, yes, thirteen books we'd ordered. What's wrong with thirteen? It's a lucky number, isn't it? And we did bring an extra trolley to help haul them home.

    In the interest of proper disclosure, only 5 of the 13 books were for me, of which one is purely a reference book I need for my work – the much-valued Chicago Manual of Style, 16th edition, (1025 p., 1.5 kg = 3.3 lb) compared to the 13th edition I had (737 p., 1.1 kg = 2.5 lb).

    My other acquisitions, and the reasoning, if any, behind them, were:

    Down and Out in Paris and London / George Orwell
    Why? No idea. It seemed like a good idea at the time. At the moment it still seems like a good idea. As you will see from the link provided, you can read it online and decide for yourselves.

    The Definitive Book of Body Language / Allan and Barbara Pease
    Why? Because Tim Roth is cute and I'm hooked on Lie to Me. No, seriously: because, in the early '70s, I found the more pioneering work on body language, by Julius Fast, fascinating. And I was told that this newer book is more comprehensive and up-to-date. So far it's a bit of a drag. But it's not a book you have to read from cover to cover. You can dip into it, choosing the chapters that appeal to you.

    Notes from a Small Island / Bill Bryson
    Why? Well, I'd never even heard of Bill Bryson, until my friend Trish, complimenting me on my travel blog [Nina Makes Tracks], said something like, "Who knows, maybe you'll be the next Bill Bryson." So obviously I proceeded to Google, and became intrigued. Bryson has written a lot, but this one appealed to me. The one paragraph I read so far was so just like my own impressions! Here's an excerpt from the paragraph in question, from Chapter 1, p. 29:

    "If you mention in the pub that you intend to drive from, say Surrey to Cornwall….your companions will….look knowingly at each other….and then they'll launch into a lively and protracted discussion of whether it's better to take the A30 to Stockbridge and then the A303 to Ilchester or the A361 to Glastonbury via Shepton Mallet. Within minutes the conversation will plunge into a level of detail that leaves you, as a foreigner, swiveling your head in quiet wonderment."
    Can't tell you how many times I have experienced this exact type of conversation, upon embarking on a car ride in England, be it from one end of London to another of from London to, say, Barnsley, Yorks.

    A Short History of Nearly Everything / Bill Bryson
    Why? Because I like rough guides to science, which is what this 687 page baby is about. Bryson's easy style is, of course, a marked bonus.

    Here endeth my part of the purchases.
    We also ordered two fat omnibuses of humorous fantasy writer Tom Holt for our son Daniel; five fat fantasy novels for Hubby, a.k.a. Michael: a Robert Jordan, a David Gemmel, and three Raymond E. Feists. And last but très important, A pocket Calorie Counter, by Carolyn Humphries, to replace one that was falling apart from over-use. (Nah, we don't count calories. We keep track of carbs, for purely health reasons.)

    * * *
    … so, to make a long story short, what did I read in the UK?
    - a bit of the body language book. Interesting, even useful, in small bites; gets tedious.
    And what am I reading now?
    - Tom Holt's Odds and Gods, one of his earlier stories. It is funny. If you like, l'll substantiate with a few choice quotations, even though they fail miserably – or hilariously – to provide the full picture.

    Cosmo Ain't What It Used To Be

    But then, nothing is, right?

    How many of you read Cosmopolitan? If you do, do you read the American edition, The British, or perchance the Israeli one? There are plenty other editions, of course, in other languages and countries, but I assume they have much in common: What to wear [the skinny jeans or the ones you can actually breathe and sit in? The dark grey or the dark-dark grey burqa?]; which hair-mousse/lipstick/eyeshadow is fashionable [not the ones you already have and paid a pretty penny for, that's for sure;] how to ask your boss for a raise [refer to the Body Language book first;] and – most important of all, the perennial best-seller – sex, sex, sex.

    See, I feel that I owe you a follow-up to my post of October 14th, where I went on and on about what-book-to-take-on-vacation. The upshot was, I didn't take any book. I bought a Cosmo at the airport. I do that occasionally, mostly on trips, to while away the time in airport lounges and the like. I wouldn't read it while sitting in a waiting room here in Israel: someone might think I'm a shallow person who doesn't appreciate Literature, god forbid! But everything goes in the anonymity of a large international airport. ["Hey, see that silvery-haired woman in blue over there? Isn't she the one who hands out the tickets to the Ptashka jazz concerts?.. Quick, I'll hide the Cosmo!"]

    Don't remember when I first discovered Cosmo. Possibly on my first trip to the States in 1972. Sure, it had articles on sex in those bygone days, too. I Googled and found a pic of the October 1972 cover. Let's see now, how many articles about sex does that issue contain, and how are they worded?

    • The Bugaboo of Male Impotence [Great, I just learnt a new word. How come baby stroller manufacturers decided on a word meaning "irrational fear" for their product name?... Are new moms terrified of strollers?...]
    • The Undiscovered Joys of Having a Chinese Lover [is that even politically correct?]
    • Analyst's Couch: The Unfaithful Husband [that qualifies as being about sex, right?]
    • How to Get Your Husband to Love You Like a Mistress (and Keep you Sexy and Satisfied) [Sounds a rather indirect approach…]

    Other topics mentioned on the cover are low blood sugar, yoga, weight reduction, an excerpt from a novel, a short story, and more. Out of the 11 front-cover topics, four deal with sex, in one way or another, in fairly tame, polite language.


    Now let's consider the November 2010 issue (American edition):
    Look at the slightly shy cleavage of Tuesday Weld (on the 1972 cover), half covered by the huge pendant, as opposed to the in-your-face cleavage of Katy Perry with the tiny, strategically placed pendant. Notice the coy placement of Weld's left hand, compared to Perry's forceful gesture. Then Look at the modest font used for the list of topics on the 1972 cover, as opposed to the screamingly huge titles on the 2010 cover. Then consider the wording of some of the topics:

    • First, Take Off His Pants. Next, Treat Him to the Sexy Strokes He's Been Craving All Along… but Won't Ask For [well, at least they used capitalization rules correctly…]
    • Wicked Things Other Women Do in Bed (Our Naughtiest Sex Poll)
    • What Your Turn-Ons Reveal
    • Uh, well… the other topics are more loosely related to sex…

    But the articles inside more than make up for it, with absolute must-know, hot information, such as Should You Have a Sex Code, Keep Your Long-Distance Love Hot, Feel Closer After a Fight, Your Top Sex Fantasies Analyzed, Sex Q+A, etc.

    And of course, an all-time favorite that has absolutely nothing to do with sex, we women do it for sheer fun and enjoyment – Get Killer Abs in 6 Minutes a Day.

    Not that I'm complaining. I'm no prude. And though the magazine has been on our coffee table for three weeks now, I've read only a fraction of its glossy, enticing 240 pages. I'm a working woman, you know; can't sit around reading Cosmo all day, even if it means I am still ignorant of the Sexy New Finds for My Lips. (Page 80, if you're interested.)

    As for what I read during my 2 weeks in the UK – the blog-post is in the making. Hint: We'd ordered 13 books from Amazon UK, and they were waiting for us in Heath Charnock when we got there. [Never heard of H. Charnock? See How to get lost on the West Pennine Moors.]